18 July, 2017

SOME WORLDS by Emmy Rākete

It’s International Zine Month, Auckland Zinefest is on and Central Library is launching people facefirst into zines.

I’m never quite sure what to make of zines. Sure, there’s something thrilling about making and shoving our creations immediately into people’s hands, genuinely published, even if self-published. There’s a rawness to the DIY self-expression vibe that frees us to make things that are crappy or bewildering or personal or imperfect. Like other self-publishing formats, zines validate our desire to create wildly, to say something, to be heard and treasured and seen, even if briefly.

It does mean, however, that as readers we frequently shipwreck on the shores of philosophical aesthetics. Without official publishers as gatekeepers, we end up having to do our own screening, and there are so many zines. What should I pick? Is this zine good? What’s a ‘good zine’-?

See: Some Worlds. It’s an A5 booklet, black and white, flimsy. Small virus-like creatures squirm across the page. “These are my machines,” Rākete writes. “The page is their world. Just like this planet is our world. I control my machines by putting them on the page.”

Holes appear in the paper. They grow as you read, eating the white spaces. Machines multiply. “They are digging through the page,” Rākete writes. “All the time they are producing holes in their world. Holes to the outside.”

Holes spread. The machines spawn limbs, push words away. “The page is their home,” Rākete writes, “but also a technology used to control them. There is something exterior to the page... we can only recognise this exteriority as a hole.”

The last page barely holds together. It’s mostly holes.

“NO EMANCIPATION”, Rākete writes, letters contorted in the gaps, “WITHOUT APOCALYPSE.”

What is this?

Is this good? It’s bewildering, the visual simplicity of a picture book paired with political theory. It’s compelling too, adult theories of power explained like a child's story about digging machines. It’s a metaphor about finding freedom by destroying the world. It’s pared-down leftist ideology about escaping the devil we know. It was probably made in Microsoft Paint. I love it.

I love it. Does that make it good? Is this a good zine? But what's 'good'-?

Author: Emmy Rākete

Reviewed by Valerie T, Central City Library

Valerie T 
loves Shakespeare, fairytales, Trinitarian theology, twentieth century poetry and picture books on political ideologies.

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